| 000 | 01177nab a2200193 c 4500 | ||
|---|---|---|---|
| 001 | myd_91232 | ||
| 003 | ES-MaCDM | ||
| 005 | 20240919110557.0 | ||
| 008 | 181003s2008 enk||||fr 00| u|eng u | ||
| 040 | _aES-MaCDM | ||
| 100 | 1 |
_aJennings, Luke _d1927-2008 |
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| 245 | 0 |
_aFestival Ballet _cLuke Jennings _bThree from English National Ballet |
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| 260 |
_c2008: _bDance Books, _aAlton,Hampshire (UK) |
||
| 300 | _c3 p. | ||
| 520 | _aEnglish National Ballet's remit as a major touring company, and the need to attract large audiences through populist programmes, gives its artistic director Wayne Eagling limited room for creative manoeuvre. He has inherited a mixed bag of bankable works, amongst the Derek Deane's in the round productions of Swan Lake and Romeo & Juliet plus the Christopher Hampson/Gerald Scarfe Nutcracker. Eagling has also commissioned Michael Corder's The Snow Queen and, most recently, Deane's Strictly Gershwin (see the article "Strike Up the Band" by Donald Hutera, Dance Now Vol. 17, núm. 3, Autumn 2008, p. 76 - 79) | ||
| 773 | 0 |
_tDance Now _074546 _wmyd_17706 _gVol. 17, núm. 3, Autumn 2008, p. 13 - 16 |
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| 903 |
_a91232 _b91232 |
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| 942 |
_cART _2z |
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| 999 |
_c126342 _d126342 |
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