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| 001 | myd_91436 | ||
| 003 | ES-MaCDM | ||
| 005 | 20240919110605.0 | ||
| 008 | 181003s2007 enk||||fr 00| u|eng u | ||
| 040 | _aES-MaCDM | ||
| 100 | 1 |
_aMcCarthy, Brendan _9102553 |
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| 245 | 0 |
_aHappy Returns _cBrendan McCarthy _b Conductor Barry Wordsworth in conversation |
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_aAlton,Hampshire (UK) _bDance Books _c2007 |
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| 300 | _c5 p. | ||
| 336 | _aTexto (visual) | ||
| 337 | _aSin mediación | ||
| 520 | _aThe Royal Ballet's new music director Barry Wordsworth in conversation. Conductors routinely complain that dancers are obsessed with tempo, regardless of how this compromises other musical values. Most concert and opera conductors either disdain dance, think ballet music inferior, or fear thar th musical compromises dance involves will, in turn, compromise their own reputations. PALABRA CLAVE: Royal Ballet, Barry Wordsworth, music and dance, music director, conductors. | ||
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_tDance Now _074546 _wmyd_17706 _gVol. 16, núm. 2, Summer 2007, p. 65 - 69 |
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_a91436 _b91436 |
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_cART _2z |
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_c126545 _d126545 |
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