000			01407nab a2200193 c 4500
001			myd_92001
003			ES-MaCDM
005			20240919110628.0
008			181003s2003 enk||||fr 00| u|eng u
040			_aES-MaCDM
100	1		_aJennings, Luke _9134220
245	0		_aEvery Move he Makes _cDebra Craine _b Jonathan Cope in conversation
260			_c2003: _bDance Books Ltd., _aAlton,Hampshire (UK)
300			_c16 p.
520			_aJonathan Cope in conversation. Cope's ardent partnership with Sylvie Guillem has been one of the great pleasures of the past decade. "I worked with Kenneth on Different Drummer and The Prince of the Pagodas, but I regret that I didn't have a classic MacMillan created on me. I do believe that in the majority of cases, with the MacMillan ballets, the original casts were the best and still are because their character and soul are in the ballet". "I know I got hammered for Carmen. Actually I had some hate mail for that. 'How dare you dance in that music hall piece. You're destroying your career, it's a disgrace'. People tried to take it seriously. And they shouldn't have. People aren't used to seeing me do something different and they don't like it when you try to change your style". PALABRAS CLAVE: Jonathan Cope, life and career.
773	0		_tDance Now _074546 _wmyd_17706 _gVol. 12, núm. 1, Spring 2003, p. 2 - 17
903			_a92001 _b92001
942			_cART _2z
999			_c127106 _d127106