000 | 01985ngm a22003017ib4500 | ||
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001 | myd_94697 | ||
003 | ES-MaCDM | ||
005 | 20240902093805.0 | ||
008 | 181219s2004 fr ||||||||||os|||v|||||c | ||
040 |
_bita _aES-MaCDM |
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041 | 7 | _afre | |
245 | 1 | 0 |
_aPublique/ _cMathilde Monnier |
260 |
_a : _b, _c2007 |
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300 | _a1 disco de vídeo digital DVD | ||
300 | _a1 disco de vídeo digital DVD | ||
300 | _a1 disco de vídeo digital DVD | ||
300 | _a1 vídeo digital DVD | ||
336 | _3Imagen (en movimiento; bidimensional): vídeo | ||
337 | _aelectrónico, vídeo | ||
500 | _aLe Sous Sol is the final part of Peeping Tom's first trilogy that had started in 2002 with Le Jardin, followed by Le Salon in 2004. | ||
500 | _aLe Sous Sol was collectively created by the performers and premiered on 28 March 2007 in the Royal Flemish Theatre (KVS) in Brussels (BE). The piece toured throughout Europe and Japan from 2007 until 2009. | ||
520 | _aIn Le Sous Sol, the members of the family encountered previously in the trilogy are now dead and buried, but live on underground. They find themselves in a strange world where social codes no longer exist; the family pecking order is ready to be turned upside down. Inspiration came from Dostojevski 's Bobok. The deceased characters talk about their death and ask themselves questions about the lives they have lived. The situational humour creates an important contrast. In this piece Peeping Tom brings the ancestors into play even more forcefully than before. An extraordinary addition is the collaboration with the 80-year-old butoh dancer Maria Otal. | ||
700 | 1 |
_aMonnier, Mathilde _d1959- _9140986 |
|
710 |
_aInstitut Chorégraphique International _9140987 |
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902 |
_00 _10 _2z _3. _40 _6DMM_DVD_D__45 _71 _8VIDEOGRAB _947489 _aCDMYD _bCDMYD _cArg _d2021-08-13 _eDavid Márquez Martín _fDM _i94697 _j10 _oDMM DVD (D) - 45 _pZ0025353329394 _r2021-08-13 _w2021-08-13 _yAA_DVD |
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903 |
_a94697 _b94697 |
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942 | _2z | ||
999 |
_c129352 _d129352 |