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003			ES-MaCDM
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008			181219s2004 -fr |||||||||os|||v||frec
028			_a0002 _bLZDP
040			_aES-MaCDM
245	1	0	_aQuando l'uomo principale è una donna/ _cchorégraphie, Jan Fabre; Lisbeth Gruwez
260			_a : _b, _c2004
300			_a1 disco de vídeo digital DVD
300			_a1 vídeo digital DVD
336			_aImagen (en movimiento; bidimensional): vídeo
337			_aelectrónico _avídeo
500			_aBiennale de la danse 2004
501			_aDramaturgie: Miet Martens, Scénographie: Jan Fabre, Costumes: Daphne Kitschen, Lumières: Jan Fabre, Pieter Troch; Musique: Maarten Van Cauwenberghe; Production: Troubleyn (Anvers)
508			_aAvec le soutien de Festival Iberoamericano de Teatro de Bogota, Gouvernement de Flandre Accueil Théâtre le Point du Jour, Biennale de la Danse Production vidéo Biennale de la Danse - Maison de la Danse
508			_aCoproduction Théâtre de la Ville (Paris), de Singel (Anvers)
511			_aLisbeth Gruwez
520			_aThe inspiration for this piece was the anthropometric acts by Yves Klein in which bodies were used as living paintbrushes. In Fabre's work Klein's often expressionless prints are given a distinct face and an appealing aroma. The dancer moves beneath a sky full of bottles, from which olive oil first drips then gushes and splashes and finally transforms the whole stage into a reflecting bath. The oil evokes a great many connotations: medical, cosmetic, Christian. The olive tree as Mother Earth, old and indestructible, a balm to the world. But there is ambiguity here too: its fruits were once used as a contraceptive. The musical Leitmotiv is the familiar Italian song Volare (oh-oh) by Dominic Modungo. An ode to Klein's work, and especially his photo Leap into the Void. Fabre sees the whole piece as a ritualistic preparation for the highest leap, which takes us back to the matriarchy. The strength of this solo lies in its constant shifts: from man to woman, from human to animal, from straight line to circle, from rolling, sliding movements to rising slowly upright, like a tree that grows more and more branches, like a swan that has fertilised itself. The atmosphere is summery and Italian, but the howling wind ranges from a gentle summer breeze to an approaching storm. The dancer herself also alternates ritualistic transformations with a juggler's and conjuror's tricks. Humming all the time, she plays with her gender, with balls in her trousers, on her chest or in her mouth. Before you know it an hermaphrodite becomes a sexless angel.
700	1		_aFabre, Jan _d1958- _9109960
700	1		_aGruwez, Lisbeth _d1977- _9141006
710	2		_aCie. Troubleyn _9105509
902			_00 _10 _2z _3. _40 _6DMM_DVD_D__24 _71 _8VIDEOGRAB _947511 _aCDMYD _bCDMYD _cArg _d2021-08-17 _eDavid Márquez Martín _fDM _i94715 _j10 _oDMM DVD (D) - 24 _pZ0025353329608 _r2021-08-17 _w2021-08-17 _yAA_DVD
903			_a94715 _b94715
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999			_c129370 _d129370