000			02810ngm a22003137ib4500
001			myd_94719
003			ES-MaCDM
005			20240902093807.0
008			181219s2006 ca ||||||||||os|||v|eng|c
040			_aES-MaCDM
245	1		_aAngel of Death/ _cconcept, direction and texts, Jan Fabre; choreography, Jan Fabre, Ivana Jozic
260			_a: _b, _c2006
300			_a1 disco de vídeo digital DVD
300			_a1 vídeo digital DVD
336			_aImagen (en movimiento; bidimensional): vídeo
337			_aelectrónico _avídeo
500			_aComposición (e interpretación en vivo en varias ocasiones) (saxo barítono y electrónica) Eric Sleichim, realizador, William Forsythe coordinación técnica, Geert Van Der Auwera, localización de la película: Musée d'Anatomie (Montpellier, France).
500			_aThe text of Angel of Death is published by l'Arche Editeur, Paris (1996)
508			_aProducción de Troubleyn/Jan Fabre (Antwerp, Belgium), coproducido por Singel (Antwerp, Belgium)
511			_aIvana Jozic
518			_aPremière grabada el 02 de octubre 2003, en Pontedera
520			_aThis special theatrical performance formally starts from a video installation: four monumental screens which have been set up in a square around a small stage. The audience is seated in this square, together with the solo performer, a role which is interpreted by dancer, Ivana Jozic. Both have previously been featured in Fabre's productions. The performer enters into a confrontation with the music using language and gestures and with William Forsyth, the well-known choreographer who is projected onto the screens, and to whom this performance is dedicated. Forsyth is half-naked, dancing like 'an angel of death', in the anatomy museum of Montpelier, among the skulls and body parts contained in formaldehyde. Fabre wrote the text, 'The Angel of Death', which Forsyth recites, in 1996. 'The monologue for a man, a woman, or a hermaphrodite', which is inspired by Andy Warhol, contains several ideas relating to authenticity and the immortality of icons, which were already previously featured in Fabre's trilogy of the body. As a consequence the performance is elevated to the level of an encounter between three minds: Warhol, Forsyth and Fabre himself given that Fabre's personal fascination with metamorphosis, the beauty of gender, the double identity and the contradiction inherent in artistry are all referenced.
700			_aJozic, Ivana _9141009
700	1		_aFabre, Jan _d1958- _9109960
710	2		_aCie. Troubleyn _9105509
902			_00 _10 _2z _3. _40 _6DMM_DVD_D__20 _71 _8VIDEOGRAB _947515 _aCDMYD _bCDMYD _cArg _d2021-08-17 _eFondo David Márquez _fDM _i94719 _j10 _oDMM DVD (D) - 20 _pZ0025353329646 _r2021-08-17 _w2021-08-17 _yAA_DVD
903			_a94719 _b94719
942			_2z
999			_c129374 _d129374