000			01479nab a2200217 c 4500
001			myd_94756
003			ES-MaCDM
005			20240918092548.0
008			181003s2021 -us||||fr 00| u|eng u
040			_aES-MaCDM
100	1		_aSoler Campo, Sandra _9139603
245	1		_aJosé Soler Casabón's L'Homme sans yeux, sans nez et sans oreilles and Erik Satie's Parade: _bTwo Ballets from Paris of 1917/ _cSandra Soler Campo
260			_aMiddleton, WI: _bA-R Editions, _c2021
300			_cpáginas
336			_aTexto (visual)
337			_asin mediación
520			_aJosé Soler Casabón, the Spanish musician and poet, is an artistic figure little recognised both nationally and worldwide despite having produced high quality musical works. What is perharps his greatest work, the ballet he composed in Paris entitled L'homme sans yeux, sanz nez et sans oreilles (Ho.S.Y.N.O.) is analysed in this article. The ballet is based on the poem Le musicien de Saint Merry by Guillaume Apollinaire with sets by Pablo Picasso. Moreover, a parallel can be drawn with a contemporary composer, Erik Satie and his ballet Parade, also composed in 1917. The major difference between the two works was that the first, due to various circumstances, including the advent of World War I, was never performed, while the second was a great success.
773	0		_tFontes Artis Musicae _072894 _wMyd_16037 _gVol. 68, núm. 2,Abr.-Jun. 2021, p. 158
903			_a94756 _b94756
942			_cART _2z
999			_c129411 _d129411