000			03515nam a2200349 i 4500
001			myd_94759
003			ES-MaCDM
005			20251125095544.0
008			090716s2020 -usao m 000 0deng d
040			_aES-MaCDM _bspa
100			_aSnavely, Hannah _9141030
245	1	3	_aMusical Encounters Along the Contemporary Camino de Santiago / _cHannah Snavely
264			_aCalifornia : _bUniversity of California Riverside , _c2020
300			_a1 recurso en línea (76 páginas) : : _bilustraciones ; ; _c24 cm
336			_aTexto (visual)
337			_aelectrónico
500			_a"a thesis submitted in partial satisfaction of the requirements for the degree of Master of Arts in Music by Hannah Snavely, June 2020"
500			_aGlosario: p. 67
500			_aThesis Committee: Deborah Wong, Jonathan Ritter, Walter Aaron Clark.
504			_aReferencias bibliográficas: páginas 69-76
520			_aThis thesis examines how individuals use sonic practices to shape the social space of the Camino de Santiago, specifically analyzing how pilgrims' and locals' musical encounters create the contemporary Camino. The pilgrims' practices and spaces simultaneously intertwined with, rivaled, and sounded in synchrony with lived places grounded in local histories and politics. As I understand the Camino not simply as a site to practice one's own culture or religion through music and sound but also to become immersed in and begin to understand others' customs, contestations, and transformations between the international pilgrims and the local Spaniards characterize the route. The contemporary Camino is marked by a new emphasis on sustained spiritualities, encounters with transformed cultural heritage events, and heightened access to fleeting global-local interactions. Based on accounts of listening practices and interpretations of events, I first study how ritualized global musical encounters utilized cosmopolitan musical knowledge while simultaneously depending upon national difference to facilitate sentiments of communitas. Next, I examine how Catholic religious music delineated sacred places for the pilgrims, demarcating for them which sonic events were part of the Camino. Exploring religious festivals, I demonstrate how pilgrims were witnesses to Spanish cultural and musical practices that heightened the authenticity of the experience, as they ascribed varied levels of meaning and significance to places along the way. After arriving to Santiago, I investigate the ways politically charged performances and assertions of regional identities in Galicia expanded and interacted with the religious to signify locality and reterritorialize place. Finally, I end by exploring one particular song sung throughout the Camino and how its lyrics and history embody the many themes throughout this thesis.
650		0	_aPeregrinos _9141031
650		0	_aTesis doctorales _9114739
650		0	_aVida espiritual _9141032
651		0	_aCamino de Santiago‏ _9120945
651		0	_aEspaña _9110161
655		7	_aTesis y escritos académicos _2 _994738
856			_ufile:///C:/Users/pilar.ledesma/Downloads/eScholarship%20UC%20item%209533s7rp%20(1).pdf _yAcceso al documento
902			_00 _10 _2z _3.. _40 _6M_M__E58 _70 _8MON_MUSICA _947602 _aCDMYD _bCDMYD _cDOCS E _d2021-09-22 _eDonación _i94759 _oM (M) - e58 _pZ0025353330505 _r2021-09-22 _uhttps://escholarship.org/uc/item/9533s7rp _w2021-09-22 _yLIN _zTesis Doctorales, ponencias y actas de congresos
903			_a94759 _b94759
942			_2z _cLIN
999			_c129414 _d129414