000			02097nam a22003014a 4500
001			myd_94873
003			ES-MaCDM
005			20240906074901.0
008			060518s2005 enka b 001 0 eng
020			_a9780521023924
040			_aDLC _cDLC _dES-MaCDM _bspa _erdc
245	0	0	_aMusic theory and natural order from the Renaissance to the early twentieth century / _cedited by Suzannah Clark and Alexander Rehding.
264		1	_aCambridge ; _aNew York : _bCambridge University Press, _c2005.
300			_aXI, 243 páginas : : _bilustraciones ; ; _c25 cm.
336			_aTexto (visual)
337			_asin mediación
504			_aIncluye referencias bibliográficas (páginas 213-232) e índices.
505			_aPart I. The Disenchantment and Re-enchantment of Music: 1. Vincenzo Galilei, modernity and the division of nature Daniel Chua; 2. 'Tis nature's voice': music, natural philosophy and the hidden world in seventeenth-century England Linda Phyllis Austern; 3. The 'gift of nature': musical 'instinct' and musical cognition in Rameau David Cohen; 4. Nietzsche, Riemann, Wagner: when music lies Leslie David Blasius; Part II. Natural Forms - Forming Nature: 5. The second nature of sonata form Scott Burnham; 6. August Halm's two cultures as nature Alexander Rehding; 7. Seduced by notation: Oettingen's topography of the major-minor system Suzannah Clark; Part III. Constructions of Identity: 8. The gendered eye: music analysis and the scientific outlook in German early Romantic music theory Ian Biddle; 9. On the primitives in music theory: the savage and subconscious as sources of analytical authority Peter A. Hoyt
650		0	_aEstética musical _9110058
650		0	_aHistoria de la música _9115038
650		0	_aNaturaleza _9119655
650		0	_aTeoría de la música _9114676
700			_aRehding, Alexander _9133047
700	1		_aClark, Suzannah _d1969- _9141137
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903			_a94873 _b94873
942			_2z _cMONO
999			_c129522 _d129522