000			01632nab a2200217 c 4500
001			myd_95140
003			ES-MaCDM
005			20240917124659.0
008			181003s2019 enk||||fr 00| u|eng u
040			_aES-MaCDM
100	1		_aTimms, Colin _d1944- _9103464
245	1		_aLa canzona and Stabat Mater: _bSteffani's first and last gifts to the Academy of Ancient Music?/ _cColin Timms
260			_aLondon; Oxford: _bOxford University Press, _c2019
300			_cpáginas
336			_aTexto (visual)
337			_asin mediación
520			_aTowards the end of his life Agostino Steffani (1654-1728) sent examples of his work to the Academy of Vocal (later "Ancient") Music in London. It is often assumed that the first piece he sent was his madrigal Gettano i re dal soglio, but here it is argued that it may have been La canzona che volete, an anonymous and hitherto unnoticed chamber duet that precedes the madrigal in a manuscript with links to the Academy. Probably after his death, the Academy received his Stabat Mater for six voices and six instruments (plus continuo). The article accounts for this unusual scoring and suggests that Steffani did not originally intend the setting for the Academy. Whe he started it and left it unfinished, and why he completed it in the 1720s and offered it to the Academy, are further questions to which answers are proposed. It may have been Steffani's Stabat Mater that led the Academy to accept works with instruments, and also to change its name.
773	0		_tEarly Music _072886 _wmyd_16029 _gVol. 47, núm. 1,February 2019, p.65
903			_a95140 _b95140
942			_cART _2z
999			_c129787 _d129787