000			01927nab a2200205 c 4500
001			myd_95147
003			ES-MaCDM
005			20240918092548.0
008			181003s2021 sz ||||fr 00| u|eng u
040			_aES-MaCDM
245	1		_aJoan Manén's Pioneer Recordings: _bviolin concertos by Beethoven, Bruch, and Mendelssohn / _cSara Guasteví, Jaume Ayats, and Enric Giné
260			_aBasel : _bKassel und Bärenreiter-Verlag, _c2021
300			_c16 páginas
336			_aTexto (visual)
337			_aSin mediación
520			_aThe sound documents of Joan Manén, which are curious because they are handwritten courtesy copies, sparked our interest in situating them both chronologically and geographically. This article also relates Manén's recordings to the performers whose early recordings of Beethoven, Bruch and Mendelssohn's Violin Concertos, offering important details about the recording of these works and the legacy of the musicians who made it. In short, in the past 40 years, the different scholars of the recordings of Beethoven's Violin Concerto have assigned the first complete recording of this work to two performers (Josef Wolfsthal (1925) and Fritz Kreisler (1926)), while only some mention Manén (1922) as the first performer of a recording only of the second movement. More recently, Timothy Day stated that Manén had recorded the entire concerto. Thanks to collaborations with various libraries, specifically the Biblioteca de Catalunya, Statsbiblioteket (Copenhagen), and the Deutsche Nationalbibliothek (Leipzig) it is now possible to reconstruct the three complete recordings as originally published by His Master's Voice. With these recordings Manén demonstrates the will to achieve a significant breakthrough in the history of sound recordings.
773	0		_tFontes Artis Musicae _072894 _wMyd_16037 _gVol. 68, núm. 1,Jan.-March. 2021, p. 1
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