000			03126cam a2200325 i 4500
001			myd_26569
003			ES-MaCDM
005			20240906074734.0
008			150729s2015 inua b 001 0beng d
020			_a9780253016416
040			_aUSD _beng _cUSD _erda _dYDXCP _dCLE _dIQU _dAKR _dBTCTA _dBDX _dZCU _dDLC _dES-MaCDM
100	1		_aBurgess, Geoffrey
245	1		_aWell-tempered woodwinds _bFriedrich von Huene and The making of early music in a new world _cGeoffrey Burgess
246	3		_aFriedrich von Huene and the making of early music in a new world
300			_axxviii, 290 p. : _bilustraciones ; _c24 cm
336			_aTexto (visual)
337			_asin mediación
490	0		_aPublications of the Early Music Institute _9138371
504			_aIncludes bibliographical references (pages 259-273) and index.
505			_aPreface: Why recorders? -- Acknowledgments -- Prologue: A domestic music room in Brookline -- Childhood in paradise -- Flight from Eden -- Training in a new world -- Friedrich the Great : founding an empire -- Trading old flutes for new -- Heydays -- At the hub of an international network -- Cause to celebrate -- The von Huene legacy -- Epilogue: Amid the mementos of an active life -- Appendix 1. Von Huene family tree -- Appendix 2. Friedrich von Huene summary chronology -- Appendix 3. List of honors -- Appendix 4. Recordings of J.S. Bach's Brandenburg Concertos with recorders, 1941-1993 -- Appendix 5. List of instruments produced by the von Huene workshop -- Appendix 6. Recorders and traversos heard in recordings by Frans Brüggen -- Appendix 7. General discography.
520			_aFriedrich von Huene is arguably the most important manufacturer of historical woodwinds in the 20th century. Since he began making recorders in 1958, von Huene has exerted a strong influence on the craft of building woodwind instruments and on the study of instrument-making, as he has helped to shape the emerging field of Early Music performance practice. Recipient of lifetime achievement awards from the American Musical Instrumental Society, the National Flute Association, and Early Music America, he has remained at the forefront of research and design of historical copies of recorders, flutes, and oboes. In a compelling narrative that combines biography, cultural history, and technical organological enquiry, Geoffrey Burgess explores von Huene's impact on the craft of historical instrument-making and the role organology has played in the emergence of the Early Music movement in the post-war era.
600	1		_aHuene, Friedrich von _d1929-2016 _9138372
650		0	_aConstructores de instrumentos _zEstados Unidos _vBiografías
650		0	_aInstrumentos de viento madera _xConstrucción _zEstados Unidos _xHistoria _yS.XX
650		0	_aInstrumentos musicales _xConstrucción _zEstados Unidos _xHistoria _yS.XX
655			_aBiografías _9140232
902			_00 _10 _2z _3. _40 _6M_M__3557 _70 _8MON_MUSICA _934704 _aCDMYD _bCDMYD _cDEP1 _d2016-07-22 _eCompra _i26569 _oM (M) - 3557 _pZ0025353261944 _r2016-07-22 _w2016-07-22 _xAnterior M (M) - 3219 _yMN
903			_a26569 _b26569
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999			_c83318 _d83318