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008			181003t20049999stk||||| |||| 00| 0 eng d
040			_aES-MaCDM _bspa _erdc
090			_aPP Dance Research 2004 (nº 22.2)
100	1		_aCounsell, Colin _9130271
245			_aDancing to Utopia _bModernity, Community and the Movement Choir _cColin Counsell
260			_bEdinburgh University Press, _c2004 _aEdinburgh
300			_a14 p.
520			_aRESUMEN: Established by dance and movement theorist Rudolf Laban, the Bewegungschören or "movement choirs" of the 1920s and 1930s were a spectacularly visible element of German national culture. A network of amateur clubs, each run by a graduate of Laban's schools, the choirs were modern, urban phenomena, operating in cities and large towns against the backdrop of German industrial society. Their membership represented that society's diversity, for although choir leaders and many dancers were drawn from the educated middle class, those traditionally concerned with cultural generation and preservation, anecdotal evidence suggests they also recruited from the industrial working classes. Their amateur status was central to their aims, such that, as initially conceived, choir works were to have no audience. Although groups quickly became involved in public performance, taking part in community festivals and celebrations, their works were originally envisioned as an end in themselves, an experience for those talking part.
650		0	_aActividad dancística _9114714
650		0	_aNazismo _9115796
650		0	_aSocialismo _9130272
773	0		_o0000000009225 _tDance research _wmyd_16032 _x0264-2875 _gVol. 22, núm. 2, Winter 2004, p. 154-167 _072889
903			_a28659 _b28659
942			_2z _cART
999			_c85332 _d85332