000			01852nab a2200241 c 4500
001			myd_33333
003			ES-MaCDM
005			20240923093559.0
008			181003s1998 -us||||fr 00| u|eng u
040			_aES-MaCDM
100	1		_aKnittel, K. M. _9131196
245	1		_aWagner, Deafness, and the Reception of Beethoven's Late Style _cK.M. Knittel
260			_a[Richmond (Va)]: _b[American Musicological Society], _c1998
300			_c34 páginas
520			_aThe belief that Beethoven's "late" or "third-period" works represent the pinnacle of his achievement is at odds with the earliest critical views of these pieces. In the decades just following the composer's death, critics could not separate the perceived musical problems of the late style from Beethoven's physical ailments. While the common explanation for the elevation of these last pieces to their current position of privilege has been a musical one-the works were written before their time, demanding considerable study before they were fully understood and appreciated-I propose that it was a new understanding of Beethoven's biography that led to their veneration. Richard Wagner, in his 1870 Beethoven essay, radically reinterpreted the influence of deafness, claiming that it was in fact the source of Beethoven's creativity and genius. This paper explores Wagner's romanticization of Beethoven's deafness and speculates as to why such a paradoxical position may have appealed not just to Wagner, but to the critics who followed him.
600	1	4	_aBeethoven, Ludwig van _d1770-1827 _9101391
600	1	4	_aWagner, Richard _d1813-1883 _9103700
650		0	_aDiscapacidades físicas _9119578
650		0	_aSordera _9139050
773	0		_tJournal of the American Musicological Society _072899 _wMyd_16042 _gVol. 51, núm. 1, 1998, p. 49
903			_a33333 _b33333
942			_cART _2z
999			_c89054 _d89054