Bourdieu, The Body, and Graham's Post-War Dance (Registro nro. 103753)

Detalles MARC
000 -LEADER
fixed length control field 01033nab a2200193 c 4500
001 - CONTROL NUMBER
control field myd_58583
003 - CONTROL NUMBER IDENTIFIER
control field ES-MaCDM
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20241001092951.0
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 181003s2001 stk||||fr 00| u|eng u
040 ## - CATALOGING SOURCE
Original cataloging agency ES-MaCDM
100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Morris, Gay
9 (RLIN) 133832
245 ## - TITLE STATEMENT
Title Bourdieu, The Body, and Graham's Post-War Dance
Statement of responsibility, etc Gay Morris
260 ## - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT)
Date of publication, distribution, etc 2001
Place of publication, distribution, etc Edinburgh:
Name of publisher, distributor, etc Edinburgh University Press,
300 ## - PHYSICAL DESCRIPTION
Extent 31 p.
520 ## - SUMMARY, ETC.
Summary, etc RESUMEN: This paper has a two-fold purpose: first, to demonstrate how Pierre Bourdieu's bodily theory might be of use in dance studies and, second, how Bourdieu's ideas, augmented and enlarged by dance theory, can be applied to a specific case. My example is drawn from recent research on the American dance vanguard during the post-World War II period (1945-1960). It focuses on the relationship between the body and the social in Martha Graham's Night Journey (1947).
773 0# - HOST ITEM ENTRY
Title Dance Research
Record control number myd_16032
Relationship information Vol. 19, núm. 2, Winter 2001, p. 52 - 82
Host Biblionumber 72889
903 ## - LOCAL DATA ELEMENT C, LDC (RLIN)
a 58583
b 58583
942 ## - ADDED ENTRY ELEMENTS (KOHA)
Koha item type Artículos de revista
Source of classification or shelving scheme Other/Generic Classification Scheme

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