Bourdieu, The Body, and Graham's Post-War Dance Gay Morris
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ArtículoDetalles de publicación: 2001 Edinburgh: Edinburgh University Press,Descripción: 31 p
En: Dance Research Vol. 19, núm. 2, Winter 2001, p. 52 - 82Resumen: RESUMEN: This paper has a two-fold purpose: first, to demonstrate how Pierre Bourdieu's bodily theory might be of use in dance studies and, second, how Bourdieu's ideas, augmented and enlarged by dance theory, can be applied to a specific case. My example is drawn from recent research on the American dance vanguard during the post-World War II period (1945-1960). It focuses on the relationship between the body and the social in Martha Graham's Night Journey (1947).
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RESUMEN: This paper has a two-fold purpose: first, to demonstrate how Pierre Bourdieu's bodily theory might be of use in dance studies and, second, how Bourdieu's ideas, augmented and enlarged by dance theory, can be applied to a specific case. My example is drawn from recent research on the American dance vanguard during the post-World War II period (1945-1960). It focuses on the relationship between the body and the social in Martha Graham's Night Journey (1947).