Vista normal Vista MARC
  • Martin, Carol

Entrada Nombre de persona

Número de registros utilizados en: 1

001 - NÚMERO DE CONTROL

  • Número de control: 138839

003 - IDENTIFICADOR DEL NÚMERO DE CONTROL

  • Identificador del número de control: ES-MaCDM

005 - FECHA Y HORA DE LA ÚLTIMA TRANSACCIÓN

  • Fecha y hora de la última transacción: 20240829112542.0

008 - CÓDIGOS DE INFORMACIÓN DE LONGITUD FIJA

  • Códigos de información de longitud fija: 190301|| aca||aabn | a|a d

040 ## - FUENTE DE LA CATALOGACIÓN

  • Centro catalogador de origen: ES-MaCDM

100 1# - ENCABEZAMIENTO -- NOMBRE DE PERSONA

  • Personal name: Martin, Carol

670 ## - FUENTE CONSULTADA CON DATOS

  • Cita de la fuente: New York University. Drama. Faculty Member
  • Información encontrada: Carol Martin is a Professor of Drama, an affiliated faculty in the Department of Performance Studies, and a Global Network Professor at New York University. She is the Director of the Honors Program in the Department of Drama. Her books include Theatre of the Real and Dance Marathons: Performing American Culture of the 1920s and 1930s. She is the Editor of Dramaturgy of the Real on the World Stage, A Sourcebook of Feminist Theatre, and the co-editor with Henry Bial of Brecht Sourcebook. She is the Guest Editor of four special issues of TDR, Reclaiming the Real” (2017), “Performing the City” (2015) and “Documentary Theatre (2006)” and “Japanese Performance” (2002). Her essays on contemporary theatre and theory are published in national and international journals including Theatre Journal, Theatre Arts (Japan), TDR, Peripeti, Dialog(Poland) and Theatre Arts China and The New York Times. Martin's essays and interviews are translated into Turkish, French, Polish, Chinese, Romanian, and Japanese. Recent publications include:“Under the Radar Festival, New York: Experimental, Urban and Global” in Cambridge Companion to International Theatre Festivals edited by Ric Knowles, Cambridge University Press, forthcoming 2019. “Tables and the Offstage World: Stage Objects and Theatre of the Real” in Les Théâtres documentaires edited by Beatrice Picon-Vallin, Montlellier, Deuxième époque, forthcoming, 2019.“No Heaven, Only Sky” published in Skirball’s Indefinite Articles both online and in the printed matter, 2019. "Teatr I rzeczywistość," (“Artists’ Testimonies:” Theatre and Reality”) in Dialog (in Polish), February 2019. The lead essay in the leading Polish theatre journal. Address: New York, New York
  • Identificador Uniforme del Recurso: http://nyu.academia.edu/CarolMartin